STARWHEEL

The longest journey begins with an open Heart

EN

Ingredients:

  • For the Barramundi:
    • 4 barramundi fillets, skin off (approximately 200g each)
    • Salt and freshly ground black pepper, to taste
    • 2 tablespoons olive oil
  • For the Mashed Potatoes:
    • 4 large potatoes, peeled and cubed
    • 1/4 cup milk
    • 2 tablespoons unsalted butter
    • Salt, to taste
  • For the Gympie Lemon Cream Sauce:
    • 1 cup heavy cream
    • Zest of 1 Gympie lemon (or substitute with another aromatic lemon variety if unavailable)
    • 1 tablespoon Gympie lemon juice
    • 1 teaspoon mustard (Dijon preferred)
    • Salt and freshly ground black pepper, to taste
  • For the Green Beans:
    • 200g green beans, trimmed
    • Salt, to taste
    • 1 tablespoon olive oil

Instructions:

  1. Prepare the Mashed Potatoes:
    • In a large pot, cover potatoes with water and bring to a boil. Season with salt. Reduce heat and simmer until potatoes are tender, about 15-20 minutes.
    • Drain and return potatoes to the pot. Add milk and butter, mashing until smooth. Adjust seasoning with salt. Keep warm.
  2. Prepare the Gympie Lemon Cream Sauce:
    • In a small saucepan, combine heavy cream, Gympie lemon zest, and lemon juice. Gently bring to a simmer, allowing the flavors to infuse for about 5 minutes. Do not boil.
    • Whisk in mustard, salt, and pepper. Remove from heat and keep warm.
  3. Cook the Green Beans:
    • Blanch green beans in boiling salted water for 2-3 minutes until tender-crisp. Drain and toss with olive oil. Season with salt.
  4. Cook the Barramundi:
    • Season barramundi fillets with salt and pepper. Heat olive oil in a non-stick skillet over medium-high heat.
    • Place fillets in the skillet and cook for 3-4 minutes on each side, or until golden brown and the fish flakes easily with a fork.
  5. Assemble the Dish:
    • Spoon a generous amount of mashed potatoes onto each plate. Place a barramundi fillet on top of the mashed potatoes.
    • Drizzle Gympie lemon cream sauce over the barramundi. Ensure the sauce is evenly distributed, covering the fish.
    • Arrange the green beans alongside the fish.
    • Optionally, garnish with a sprinkle of Gympie lemon zest and a twist of black pepper.

Enjoy your exquisite Australian Wild Caught Barramundi with a hint of Gympie lemon, a dish that marries the earthy richness of barramundi with the vibrant citrus notes of the unique Gympie lemon. Perfect for an elegant dinner!

Australian Wild Caught Barramundi with Gympie Lemon Cream Sauce a la Fabienne (EN/FR/SI) STARWHEEL

FR

Barramundi Sauvage Australien avec Sauce Crémeuse au Citron de Gympie à la Fabienne

Ingrédients :

  • Pour le Barramundi :
    • 4 filets de barramundi, sans peau (environ 200g chacun)
    • Sel et poivre noir fraîchement moulu, au goût
    • 2 cuillères à soupe d'huile d'olive
  • Pour la Purée de Pommes de Terre :
    • 4 grosses pommes de terre, pelées et coupées en cubes
    • 1/4 de tasse de lait
    • 2 cuillères à soupe de beurre non salé
    • Sel, au goût
  • Pour la Sauce Crémeuse au Citron de Gympie :
    • 1 tasse de crème épaisse
    • Zeste d'1 citron de Gympie (ou substituer par une autre variété de citron aromatique si non disponible)
    • 1 cuillère à soupe de jus de citron de Gympie
    • 1 cuillère à café de moutarde (de préférence Dijon)
    • Sel et poivre noir fraîchement moulu, au goût
  • Pour les Haricots Verts :
    • 200g de haricots verts, équeutés
    • Sel, au goût
    • 1 cuillère à soupe d'huile d'olive

Instructions :

  1. Préparer la Purée de Pommes de Terre :
    • Dans une grande casserole, couvrir les pommes de terre d'eau et porter à ébullition. Saler. Réduire le feu et laisser mijoter jusqu'à ce que les pommes de terre soient tendres, environ 15-20 minutes.
    • Égoutter et retourner les pommes de terre dans la casserole. Ajouter le lait et le beurre, écraser jusqu'à l'obtention d'une purée lisse. Ajuster l'assaisonnement avec du sel. Garder au chaud.
  2. Préparer la Sauce Crémeuse au Citron de Gympie :
    • Dans une petite casserole, combiner la crème épaisse, le zeste de citron de Gympie et le jus de citron. Porter doucement à frémissement, laissant les saveurs infuser pendant environ 5 minutes. Ne pas bouillir.
    • Incorporer la moutarde, le sel et le poivre. Retirer du feu et garder au chaud.
  3. Cuire les Haricots Verts :
    • Blanchir les haricots verts dans de l'eau bouillante salée pendant 2-3 minutes jusqu'à ce qu'ils soient tendres mais encore croquants. Égoutter et mélanger avec l'huile d'olive. Assaisonner avec du sel.
  4. Cuire le Barramundi :
    • Assaisonner les filets de barramundi avec du sel et du poivre. Chauffer l'huile d'olive dans une poêle antiadhésive sur feu moyen-élevé.
    • Placer les filets dans la poêle et cuire 3-4 minutes de chaque côté, ou jusqu'à ce qu'ils soient dorés et que le poisson se défasse facilement à la fourchette.
  5. Assembler le Plat :
    • Disposer une quantité généreuse de purée de pommes de terre sur chaque assiette. Placer un filet de barramundi sur la purée de pommes de terre.
    • Napper le barramundi de sauce crémeuse au citron de Gympie. Assurer que la sauce est répartie uniformément, couvrant le poisson.
    • Arranger les haricots verts à côté du poisson.
    • Facultativement, garnir d'un peu de zeste de citron de Gympie et d'un tour de poivre noir.

Dégustez votre exquis Barramundi Sauvage Australien avec un soupçon de citron de Gympie, un plat qui marie la richesse terreuse du barramundi avec les notes d'agrumes vibrantes du citron de Gympie unique, parfait pour un dîner élégant, fait à la manière de Fabienne!

Australian Wild Caught Barramundi with Gympie Lemon Cream Sauce a la Fabienne (EN/FR/SI) STARWHEEL

SI

Avstralski Divji Barramundi s Kremno Omako iz Gympie Limone po Fabiennino

Sestavine:

  • Za Barramundi:
    • 4 fileti barramundija, brez kože (približno 200g vsak)
    • Sol in sveže mlet črni poper, po okusu
    • 2 žlici oljčnega olja
  • Za Pire Krompir:
    • 4 velike krompirje, olupljene in narezane na kocke
    • 1/4 skodelice mleka
    • 2 žlici neslanega masla
    • Sol, po okusu
  • Za Kremno Omako iz Gympie Limone:
    • 1 skodelica goste smetane
    • Lupina 1 Gympie limone (ali nadomestek z drugo aromatično vrsto limone, če ni na voljo)
    • 1 žlica soka Gympie limone
    • 1 čajna žlička gorčice (po možnosti Dijon)
    • Sol in sveže mlet črni poper, po okusu
  • Za Zelene Stročje Fazole:
    • 200g zelenih stročjih fižolov, očiščenih
    • Sol, po okusu
    • 1 žlica oljčnega olja

Navodila:

  1. Priprava Pire Krompirja:
    • V veliki posodi pokrijte krompir z vodo in zavrite. Posolite. Zmanjšajte ogenj in pustite, da se krompir kuha dokler ni mehak, približno 15-20 minut.
    • Odcedite in vrnite krompir v posodo. Dodajte mleko in maslo, pretlačite do gladkega. Po okusu prilagodite sol. Ohranite toplo.
  2. Priprava Kremne Omake iz Gympie Limone:
    • V manjši posodi združite gosto smetano, lupino Gympie limone in sok limone. Počasi segrevajte do rahlega vrenja, da se okusi prepojijo, približno 5 minut. Ne zavrite.
    • Vmešajte gorčico, sol in poper. Odstavite z ognja in ohranite toplo.
  3. Kuhanje Zelenih Stročjih Fižolov:
    • Zelene stročje fižole blanširajte v vreli slani vodi 2-3 minute, dokler niso hrustljavo mehki. Odcedite in premešajte z oljčnim oljem. Posolite po okusu.
  4. Kuhanje Barramundija:
    • Filete barramundija začinite s soljo in poprom. V nelepljivi ponvi na srednje močnem ognju segrejte oljčno olje.
    • Filete položite v ponev in kuhajte 3-4 minute na vsaki strani, ali dokler se ne zlato porjavijo in riba zlahka loči z vilico.
  5. Sestavljanje Jedi:
    • Na vsak krožnik naložite obilno količino pire krompirja. Na pire krompir položite file barramundija.
    • Prelijte barramundi s kremno omako iz Gympie limone. Prepričajte se, da je omaka enakomerno porazdeljena, prekriva ribo.
    • Ob strani razporedite zelene stročje fižole.
    • Po želji okrasite z malo lupine Gympie limone in sveže mletega črnega popra.

Uživajte v svojem izjemnem Avstralskem Divjem Barramundiju z namigom Gympie limone, jedi, ki združuje zemeljsko bogastvo barramundija z živahnimi citrusnimi notami edinstvene Gympie limone, popolno za elegantno večerjo, pripravljeno po Fabiennino!

From way into MMXIII

Dear community! This year we are writing to you publicly, as I was told to do so. We have received an insight and are prepared to publicly convey our sincere wish to receive the gift that placed here before you. So, and for what we really wish this year, is to receive the only gift available for us, namely: The LIGHT RUNNING YOST TYPEWRITER No.10 from 1902.

The purpose of this fundraiser is to help the maintenance of the historical LIGHT RUNNING YOST TYPEWRITER into a fully renovated typewriter device, and by doing so, to upgrade its appliance with adding additional capabilities to the typewriter itself, that will on the long run benefit the community. The purpose of the LIGHT RUNNING YOST TYPEWRITER REVIVAL is to actually make it available to the wider public by use of the inbuild electronics at the later stage that will allow anyone to communicate through it and to publish their stories, poetry, songs, thoughts and other thoughtful wishes via its platform BLINDWRITE.INDEED.IS

The community platform that’d require your help here will be build on top of the actual typewriter restoration and the community portal will be published alongside upgrading the typewriter itself. For the final portal that will serve the community in a wider sense we have chosen to build upon the WordPress Open-Source platform. The typewriter community will have a self-regulated rules where the users will be actually able to convey their inner thought with the use of advanced typewriter capabilities in its deeper, phenomenal sense.

SAVE THE LIGHT RUNNING YOST COMMUNITY TYPEWRITER STARWHEEL

The BLINDWRITE.INDEED.IS community will start running as a project alongside the successfull typewriter restoration campaign.

This is the only wish we are wishing for the end of this year and we trust that by a community support we will receive it. It is meant to support the dictation, writing skills, and an attribution on the historical display that will be available to all friends of the written word.

For the actual typewriter, namely THE LIGHT RUNNING YOST TYPEWRITER there isa set price to be purchased for, namely 505 AUD, and we would like to achieve that goal by a fundraiser. The amount proposed by this fundraiser includes the NECESSARY MAINTENANCE, TYPEWRITER BASED EDUCATION, FREE EXEMPLARY USE and A HISTORICAL DEDICATION.

We are looking for a small donations that would allow the community to benefit with a historical value. With that, and if successful, we will be thankful and will return the gift to the community with a message of good will and will be announcing the upcoming writing practice and poetry events, including arts and delve-into-history events.

Thank you Community and as the time of writing is right, thank you Santa, as you do exist!

#santasletter #thegreatestwish #friendlydonation #reasonforacause #helpachivethebestinus

Life is a mystery before you know it!

The biggest example of Yost’s Spirtualist activities is a book entitled “Posthumous Memoirs of H. P. B. from the Spirit World upon the typewriter independent of contact under the supervision of G. W. N. Yost to bring the things of truth and affirm the continuity of life and activity of the soul immortal” which was composed on a new Yost typewriter during a séance in which noted Spiritualist H. B. was claimed to have materialized.

SAVE THE LIGHT RUNNING YOST COMMUNITY TYPEWRITER STARWHEEL

A BOON FOR CLERICAL WORK: Saves time! Lessens labor! Boons legibility! Prints directly on paper, not through a ribbon..

George W.N. Yost worked with a variety of early typewriting companies including Remington and Caligraph before starting his own company. The Yost Writing Machine Company operated from 1887 until 1924, when it ended production of its last typewriter model, the Yost 12. The September 30, 1895 New York Times obituary for George Yost reveals an interesting aspect of Yost’s later life. “Although a shrewd man of business, Mr. Yost had a tendency in his nature which led him into abstract speculation and made him a devoted Spiritualist.”

A bit on the hi-story:

The Yost typewriter was the invention of George Washington Newton Yost, one of the key pioneers in the emergence of the first manufactured typewriters. He was a major player in the promotion of the Remington 1, or as it is known the Sholes and Glidden, to the Remington & Sons Company in 1873.

SAVE THE LIGHT RUNNING YOST COMMUNITY TYPEWRITER STARWHEEL

His next project was to create the American Typing Machine Co. which produced the Caligraph typewriters along with others. After considerable success he left to create a typewriter in his own name.

“No ribbon, Direct printing, permanent alignment.” This line from a 1890 display ad clearly states the two principles that Yost felt were most important to incorporate into the design of his typing machine — direct printing and accurate alignment. Inking is done by a felt pad positioned in a full circle around the top of the tower where the type-bars rest. The type-bars travel an intricate half-flip upwards to reach the platen and then are channeled, by an inverse pyramid shaped guide hole, to strike the platen in exactly the same spot every time, giving the accurate alignment that Yost demanded.

On the day of A Lincoln's 210 birthday anniversary we decided to extend the date for Fundraiser for restoration of Light Running Yoast Blind Write Typewriter until the 3/3/2019

Thanks for understanding!

Happy birthday Mr A. L. (https://constitutioncenter.org/…/abraham-lincoln-as-constit…)

"By prohibiting the institution of slavery and by outlawing individual citizens from owning slaves, the legislature in the wake of the Civil War created the first constitutional provision to directly limit the rights and freedoms of American citizens."

The 13th amendment, ratified in December 1865

28 junija 2023 ob 22:00: na Partizansko cesto 18 na Ravnah sem se vrnil mukoma. Pozno ponoči. Včasih je bil to naš dom, danes me tam ni pričakal nihče. V temí podhoda sem komaj našel vtiklino za ključ. Odklenil sem, odprl vrata in vstopil. Prižgal luč. Iz roke sem odložil majhno prtljago in zaprl vhodna vrata.

Notranjost hiše je zazevala vame kričeče votla, mrzla in izpraznjena. Hladna in grozna. Ampak ne mrtva. Vrata stopnišč so zijala odprta, kot bi prostor pred tem nekdo zapuščal v naglici. Potem je v vseh sobah nekdo na hitro izpraznil tudi vse omare? In omaram pustil vrata na stežaj odprta? Izropal vsebino? Posilil prostor? In pustil spomine ležati gole? V omarah sem gledal drobovje, okostnjake in spomine. Oropane police in predale. Razen laži, in prahu, ni ostalo ničesar. Ampak spomini so neodtujljivi? Sledi se dà izbrisati. Laži ni mogoče izropati. Vidim. Vse so odtujili. Omare je bilo treba zapreti. Dovolj je. Trupla so pokopali drugje… In kje so moje reči? Ugotovim, da so moje reči do neprepoznavnosti stlačili v črne vreče za smeti. In vreče za smeti so zmetali eno čez drugo v nedostopnem redu. Zakaj le? Kasneje vidim, da so odtujili tudi vse ključe od kleti in do garaž. Tja so poskrili zlatnino. To je zdaj njihovo. Tega ne dajo. Srh me spreleti. Začnem tiho péti ..
{{ecce homo}}

Partizanska {{ecce homo}} STARWHEEL
Partizanska {{ecce homo}} STARWHEEL

Janislava Starman

Uros, boli me, ko berem tvoj zapis. Dobro poznam Partizansko 18, ta vrata, te stopnice, okna… in dobro poznam ljudi, ki so tam živeli.

{{to be continued}}

Zelo žalostna sem bila pred dobrim mesecem, ko sem spoznala drugi, morda pravi obraz osebe, ki sem jo spostovala in imela rada, osebe, ki je postala brezobzirno, skrajno sebično, brezčutno in hudobno bitje. Tvoj zapis samo potrjuje moja spoznanja, pri moji starosti nisem vedela, da človek lahko pade v tak "poden" po vseh človeških in moralnih merilih. In, ja, stara sem, nekaj pa dobro vem in verjamem - karma poskrbi za vse "svinjarije", ki jih človek naredi, še posebej za tiste iz nizkih, podlih razlogov. Uroš, pojdi domov, bogat si, imas ljubezen, druzino in dom, ki si ga ustvaril, verjemi, da "ciscenje" Partizanske, ki je bila tudi tvoj dom, ne bo zapolnila prazne, osamljene, neljubljene duše. Gorje njej, ko bo prisel čas plačila. Lp Jana

Zahvala

hvala. V enih trenutkih ostanem brez besed in njih odsotnost pri meni in znotraj te izkusnje nadomestijo dolgo strmljenje v praznino in v praznini dozivljam razburkano morje, nevihte in neskoncno nevarnost smrtonosnih plazov, ki se z vseh strani vsuvajo v brezdanjost jam in tam v zivljenje razprtega bitja.
Spominja me na povojne poboje.

Ceprav to traja samo nekaj minut, ali najvec kaksen teden, so obdobja, ko se mi v te dozivljajske vrtince ujamejo zgodbe, ki nosijo tokove tozemnega zivljenja.
Ali poustvarjajo izkusnje? Pravzaprav ne vem.
Ampak ne morem biti kar tiho.

Na tole sem skusal opozarjati ze leta, ceprav v svojem tonu in najveckrat v lastno izgubo.
Zdaj pa? Nic vec? Zgodbe so mnogoplastne.

Partizanska {{ecce homo}} STARWHEEL

Na poti v Slovenijo sem tokrat namenoma obiskal Indjijo pri Beogradu in tam poiskal mesto na katerem je stal ta stari zlovesci zapor v katerega so zaprli naso visoko noseco babico na bozic 1951, ko ji je bilo morda 18 let.

Nihce v Indjiji se danes noce govoriti o tem, da je tam sploh kdaj stal kaksen zapor. V osemdesetih so zapor zravnali s tlemi in vsem prepovedali o tem kdajkoli govoriti.

V Indjiji pa se vedno stoji tista stara porodnisnica. V njo so v osemdesetih oz devetdesetih naselili sedez lokalnega elektra.

V porodnisnico sem vstopil. Tam sem se vtihotapil v notranje prostore. Ne vem, ce sem ti to povedal, ampak v porodnisnici sem nasel sobo v kateri je bila tam, ko je bila babica 1952 zaprta, rojena moja mama. To je bilo v prvem nadstropju res strasnega prostora. To sem poslikal in imam zdaj zelo jasne izkusnje tega prostora skozi cas. In tam sem se pocutil kakor doma. A si mores mislit?

In od tam naprej mi se ni povsem jasno kdaj in kako so jih bili cez noc vrnili nazaj v slovenijo in odvrgli nekje, v Brezicah ali v Mariboru. V Brezicah je bil drug tak zlovesci zapor katerega stavba se danes stoji. V njej so v istem casu mucili mojega dedka, in to prav blizu njegovega doma. Bil je iz Dobove, potem kot otrok nasilno preseljen z druzino v Slezijo, kjer je gledal, kako mu je umrla mama, in po vojni se je v Avstriji izucil kot krojac in se vrnil v Slovenijo kjer je v Mariboru spoznal mojo babico..

Kako so ljudje ravnali drug z drugim skozi tiste generacije? Po enih starih metodah .. ki niti niso tako stare, ker so v uporabi se danes..

Partizanska {{ecce homo}} STARWHEEL

In tole, kar sem dozivel na Ravnah, je bil dejansko sok prve vrste. In sem se tokrat kolikor sem mogel izogibal temu prostoru, ampak obiskati sem ga pa bil moral. Vsaj zato, da se nekaj zakljuci in da se nekaj novega pricne. Ali da se nekaj novega pricne, in da se nekaj starega zakljuci.

Ampak resnicnost, ki se je pojavila, je danes tista, na katero sem bil opozarjal skozi leta. Mnogo krat na lastno skodo, in najveckrat v lastni obup. Ampak ali brez razloga?

Danes ne nosim vec obraza te resnicnosti. Maske so padle. Zavist kot taka nima obstoja. Niti zamere.
'Karma', ce se 'usodi' tako pravi, je globja od osebne izkusnje. In te generacije iz krogov pekla imajo lastne zakonitosti. Zakonitosti, ki so vpisane v knjigi obstoja.

Hvala se enkrat, za najin pogovor takrat in za napisano. Ker lahko bi bil mislil drugace, kar je cisto mogoce, ampak zanikati necesa pa ne morem in tudi ne morem pripisovati posledice ali izbirati, katere posledice bi po moje naj pripadle nekim dejanjem. Ker jih ne poznam. Oziroma jih poznam prevec.

In v vsem skupaj lahko povzamem, da to sprejmem, ker ni veliko, in da se bodo na dolgi rok ljudje morda le okorajzili in zaceli priznavati neko resnico - da z dejanji, ki jih pocnejo drug drugemu, ustvarjajo nekaj neresnicnega in tudi, kar jemlje zivljenju namen.

Sicer bi o tem lahko se vec pisal, ampak zadosti za danes.
Ker odkar sem se vrnil s poti, in odkar sta sla moja dva na pocitnice, sem se pocutil kot bi bil izkrvavel od nemogocih spoznanj pri katerih nimam niti najmanjse moci, da bi se karkoli spremenilo. Spustiti v obup pa tega ne morem, ceprav je tam jama, in jim zelim uresnicitev vsake vrste in v vseh pogledih izpopolnitev te kupe zivljenja ..

Hvala se enkrat in se javim. In ja, sem srecal tako Jana kot Jureta in lepo smo se imeli.
Lep pozdrav!

Marjeta L.

Uroš, do kdaj ostajaš? Kljub vsemu dobrodošel in če boš kaj naokoli, se javi na Cerkniško!

Partizanska {{ecce homo}} STARWHEEL

Marjeta Lužnik hvala. Sem se že vrnil in potovanje je bilo tokrat zelo intenzivno. Upam, da se naslednjič vidimo. Kmalu.

Lidija J.

Uros W Stern kako boleče vse skupaj. Imam lepe spomine na "tvoj"dom.
Vesela sem,da sva poklepetala,ko si bil na Ravnah. Upam,da se še kdaj srečava. Lp tebi in tvoji družini.

Partizanska {{ecce homo}} STARWHEEL

Lidija Jakopin hvala Lidija. Enako ❤ Bolecina je dober znak. Brez bolecine bi nas bilo v zivljenju mnogokrat prehitro pobralo.

Urša K. L.

Uros…❤️❤️❤️

Partizanska {{ecce homo}} STARWHEEL

Ursa.. Pretiravam?

#actsofdisobedience #peoplearestrange

In this allegory of lust Venus, goddess of love and beauty, lies on a fantastic goat-headed sea monster. The Goddess braids her fingers into the creature's fur while the Monster licks her hand in return.

Cupid, riding the monster’s long tail, is ready to strike an arrow at Venus, while in the background a love adds a flaming torch to the image, undoubtedly suggesting the scent of desire. Capricorn carries Venus through bubbly waves, sculpted with energy and precision. John Deare demonstrates his great skill in carving a variety of levels and textures in this sculpture, from the low relief of Cupid and putts to the neat Venus, to the fully three-dimensional Capricorn nose and wavy locks of Venus hair.

The representation of Deare della Lussuria as a woman riding a goat has become part of an iconographic tradition that has spread since the Middle Ages. 1787-1790, marble, The J. Paul Getty Museum in Los Angeles.

Already alive Pietro Liberi - born in Padova in 1614

Ars Europa STARWHEEL

Pietro Liberi was considered to be one of the main interpreters and connoisseurs of the Venetian figurative culture of the Five Centuries.

Particularly famous are his works of mythological subject, such as the canvas depicting Diana and Atteone - in Berlin, Staatliche Museen - or that depicting Diane and Callisto - from 1670, at the Hermitage Museum in Saint Petersburg, in the picture.

"Tu se pojavlja grenko sladka kombinacija tega nenavadnega vesolja, ki me je zaposlovala od ranega otroštva. Ta zgodba o žalostno - čudoviti usodi, ki vedno poskrbi da določeni detajli ostanejo nedotaknjeni, in v kateri zbledi vse ostalo je bila "moja" zgodba, ki sem jo v dramatskih monologih uprizarjal z določenimi otroci,pri katerih sem čutil to povezanost, ki je obsojena na dolgo slovo."

Obsojena na dolgo slovo STARWHEEL
Obsojena na dolgo slovo STARWHEEL
Obsojena na dolgo slovo STARWHEEL
Obsojena na dolgo slovo STARWHEEL

/* E C C E */

Midva sva potem uporizorila konec sveta. Ne tega sveta. Ampak bilo katere moznosti sveta. In sanje so postale trdne. Napete. Obarvane cokoladno.

In po njih stenah krepile so se temne, pod povrsjem globoko modre vene. In vene so utripale s krvjo. In sanje so stale tako. Pokoncno. In nisi jim videl konca. In po njih si drsal. Kot z neke vrste vero. In z lahkoto. Vsega bivanjskega so smer, in smisel. Cilj. A ni se konca. Konec se kar traja..

Obsojena na dolgo slovo STARWHEEL

In takrat je postal ta trenutek ko je še povezanost, ko je še vse v redu, a v prihodnosti je že
vse pripravljeno vse nared za povsem nove konstelacije, in popolno prekinitev, ta trenutek je
ostal kot posebna svetloba.

In ta tragično radostno slavnostni občutek imam tudi sedaj, in mi je seveda mnogo ljubši kot
nekakšna jeza, ali realizem nekakšnih pohlepov ali domišljavosti.

To je svet ki ga imam rad, svet ki odpre sončno okno za hip, a istočasno jasno pove da v tem
svetu tega v resnici nikoli ni, tu so druge reči.

Ja, redki so bili ljudje ob katerih sem praznoval to dolgo slovo, ki je slovo večnega obeta,
tam onkraj, ki se ga doseže samo s polno žrtvijo.

Obsojena na dolgo slovo STARWHEEL
Obsojena na dolgo slovo STARWHEEL

Še vedno samo poizkušam dojeti, enostavno ne morem res verjeti.

A dejstva so jasna, vse do sedaj, vse do tega trenutka sedaj so dejstva jasna in neomajna.

G-D = F00D ❤❤❤

Look past the gates of Saturn.
"What do you see?
"

G-D = F00D ❤❤❤
Give up your desire to see.
Give up your desire to fulfill.
Give up your desire to be.

𝐂𝐫𝐞𝐚𝐭𝐢𝐨𝐧 𝐒𝐭𝐨𝐫𝐢𝐞𝐬 𝐨𝐟 𝐭𝐡𝐞 𝐀𝐧𝐜𝐢𝐞𝐧𝐭 𝐖𝐨𝐫𝐥𝐝

Creation stories tell us who we are, where we came from, and where we are going. They not only describe the origins of the world in a distant past, but they encapsulate a culture’s self-understanding in story form, offering insight into how different societies made sense of the human condition across history.

Obsojena na dolgo slovo STARWHEEL

There are myths from Mesopotamia, such as the Babylonian Creation Epic (Enuma Elish) and the Atrahasis Epic; literary traditions from ancient Egypt, including the Pyramid Texts, Coffin Texts, and the Memphite Theology; an early Greek view of creation as represented in Hesiod’s Theogony; lesser known texts such as the Hurro-Hittite Kumarbi Cycle and the Ugaritic Baal Cycle; and, of course, the biblical creation accounts of Genesis 1 and 2.

As an example of the kinds of insights that one can glean from these stories, consider the opening lines of the Babylonian Creation Epic, known in antiquity as Enuma Elish:

When the heavens above had not been named,
nor the earth beneath been called by name,
there was Apsu, the pre-eminent, their begetter,
and creator Tiamat, who bore them all;
they mixed their waters together,
before pastures had formed and reed thickets had appeared.
When none of the gods had been made manifest,
nor been called by name, nor destinies decreed,
the gods were created in the midst of them.

#actsofdisobedience #actsofsaturnreturn #actsofirresponsibledivinity #actsofcomprehension #actsofparallelisation #actsofdisobedience #actsofliberation

As a lay in the divine feminine waters, blue lotus, sacred blood from my moon cycle and lavender caressing my skin with the wet kisses.

{{in dedication to the search for immutability of desire}}

"I HONORED HER", while she laid in the divine feminine waters STARWHEEL

I herd her whisper to me, honour me the way you honour others.
.
Honour me, your temple the way you make love to everyone else with the divine current of Kundalini.
.
I’ve made love to countless men and women with my bodywork, massage and priestess touch, always waiting and desiring for someone to touch me the way I touch them.
.
Not a single body has been deprived of the current of love from my hands that I have sensually stroked, yet I have never given my own body this love.
.
Not a full session of love making.
.
Full attention, warm breath, oils, every activation point gifted heat, all the strokes of stimulation, from toes to crown, although having the skills to self massage this divine experience I’ve dishonoured myself by waiting for someone who can do what I can do.
.
Only to realise there isn’t anyone, not my gifts they are unique and remembered from ancient ancestral linage.
.
So as she begged me to gift her the nurturing love I have given so freely to others I wept tears for all the times she’s desired deep honouring to be ignored.
.
All the times she’s desired to cleanse trauma with gentle touch, to be reminded her needs are important and that she is divine in her expression.
.
I wept because I love her, but have I really loved her?
.
Self honouring has many levels, depths and processes, but how often do we look for the honouring of our bodies in another?
.
When we could heal, activate and restore our vitality in ritual of deep touch and ceremony?
.
In honour of my body “Delilah” and her desire to make love to me more often I have been inspired to create a safe, nurturing and blissful space to teach other women how to connect to self in ceremony with their body in kundalini self massage, to fully honour one’s self in all the magic of what their flesh has to offer.
.
To give permission to women to make love to their body, break open their heart and receive sensual connection from the divine masculine energy of spirit.
.
To no longer starve, suppress one’s needs for touch or seek it in places and spaces that are not honouring but instead to give it to yourself, in the opening to remember what you are deserving and worthy of.
.
From here you know then what you need, desire and require, never dropping your own deservability to anything less than what your body is saying a full sacred yes too.
.
To connect to her, to know her so deeply her womb pulses with her yes’s and her nos are heard and respected.
.
To reclaim her, to honour her, to make time for her.
.
Women of the Sunshine Coast I invite you to a day workshop and ceremony of “Women’s Self Body Honouring Massage” to connect to the depth of your being.
.
Cleansing away the trauma, the story and activating what’s desired within each cell with the beauty of touch.
.
If you could give yourself what you’re waiting for, would you still wait for another to give it to you? Or would you make love to yourself to give it to you?
I love you,
Geeia Ariati ♾️

"I HONORED HER", while she laid in the divine feminine waters STARWHEEL

Expression of interest! Relocation.

Beautiful beloved soul family,

Spirit is requesting through the closure of many avenues, areas in my life to find a space that is supportive of my inner alignment.

I am putting my intention out to share my deepest desires to live in more rural, hinterland or spacious connected land that has a small space, cabin, granny flat or small apartment for rent. At this point I do not have the overwhelming desire that it must be off grids however if there is this option or to connect in community space where there is self sufficient and autonomous creation in distance that is also option.

I am being called into deepening my heart creation and offerings to the world and require more holistic lifestyle, support and land to allow for the writing of a book.

I am open to possibilities from Sunshine Coast to Gold Coast locations and desire to create close connection and be of contribution in living and co created spaces.

My desire is to open a portal of possibilities here before I look further into spaces and avenues in other more specific groups.

If you feel spirit has a whisper or a possibility that may align with my energy please reach out 💕

"I HONORED HER", while she laid in the divine feminine waters STARWHEEL

DEEP PU$$Y LOVE

For as long as I can remember I have had a remembrance of my pu$$y, a love for her to be touch, stimulated and the extant that’s created when I have allowed her to make love through my body.

My pu$$y has been a portal of love for connecting to myself, often in many distorted ways to reconnect to myself when I have closed my heart.

I have used her to get love, to receive myself and to avoid negative emotions through spiritual bypass.

I have loved her, hated her, abused her, mistreated her, allowed her to be penetrated against my will and inflicted pain to her through the multifaceted distortions of conditioning, trauma and belief systems.

It’s taken me many hours of qauntum healing, womb work, healing sexual trauma, relationship story release, deamouring and the continued ability to be safe in my full expression.

To anchor her into the earth so she can allow her kundalini to move, flow and be gifted through her healing portal in all expressions.

She has been reclaimed, recalibrated, able to cultivate divinely connect to innocent pure divinity with god and has remembered her truest form of connection.

What she has learned is that from as early as seven she was activated fully into her priestess energy, her full flow of sensuality, and the weaving of this magic with other priestesses.

My pu$$y was allowing love, full expression and dance of life to be experienced only to shut down in distorted lenses of impurity, wrongness, shame or fear of abuse.

My pu$$y activating to life’s creative expression was wrong, that then meant I was then wrong, my kundalini was wrong and my life force was wrong.

To leave me in a fear narrative of even opening to her to move through me as I was inappropriate, promiscuous or a target for men to project.

My expression of truth from the earliest of ages was suffocated rather than celebrated and shown how to channel divine love for self.

My truth in all of me was not welcomed, as it didn’t fit the narrative of my family, society and the truest beauty of what is available.

This then created distortions of using this energy in leaky ways or to shut it off completely.

To use the true self, in ways of seeking or closing based on not being supported to harness self love in a way that is honouring.

What I’ve come to learn about priestesses, and conduits is there kundalini is fully online in a sexual creative expression often around the age of 4.

Without this awareness of what this means women are then meeting themself (kundalini/creativity/s€x) in ways that is damaging, traumatising and mixed with the seeking of love.

Because in the highest truth they have rejected their own flow, which is self love.

It is my desire to support priestesses to recognise their power, potency and magic by reconditioning these structure of what is appropriate. And what is unsafe to bring flow of life force and fullest expression of magic to be channeled in alignment with the divine back into remembrance.

To create community, mystery schools and awareness on our innocent ones so the cycle of sexual distortions, suppression and abuse cease to exist in our younger generation.

To remember self love through the fullest expression of creation, in its purity which is also coming to the truth that creativity is sexuality.

To love sexuality and understand how to channel that in alignment with god.

Not to seperate from it.

As a woman that was wronged, abused and suppressed in her sexuality I know that this is not the way to create wholesome fulfilled and self loving individuals.

It creates codependency, insecurities, seductresses, manipulations and the fear of the most beautiful connection possible, full flow of self.

It is here I will continue to initiate women into there remembrance of this energy to create change through their divine channel of healing, information and medicine.

To open a new way of being for these women and their children.

While I continue to educate and initiate men to learn to hold themselves in their pillar, to bare witness to the truest form of divinity and not control it, take it, or be emasculated by it based on their own inability to receive their fullest power.

No longer will there not be full support for us both to rise in our woman and man expressions but instead community, schools and mentoring to be exactly who you are, in your fullest truth.

In love with your pu$$y as it is the portal for who you truely are.

If your pu$$y had a story to share what would it want to tell you know that you’ve been to ashamed, disgusted or fearful to hear her speak?

I love you,

Geeia Ariati ♾️

He was against them. Purposefully.

"Why one can or cannot trust an Indian?", thought his enquiring Chinese mind, "More than 2 million liters of water from a reservoir in India were emptied on the order of an official who had dropped his smartphone into it on May 21 while taking a selfie."

"What happened?"

"Nothing really. He has been suspended. The phone, when retrieved, didn't work. That's all.", he replied.

Then we got our lunch delivered.

Indian Official Who Drained a Reservoir to Retrieve His Phone Is Suspended
Rajesh Vishwas, a food inspector, used a diesel pump to empty part of a reservoir where he had lost his smartphone.

He was against them. Purposefully STARWHEEL
A view of the district in Chhattisgarh State, India, where the Paralkot reservoir is.

Rajesh Vishwas, a food inspector, used a diesel pump to empty part of a reservoir where he had lost his smartphone.

Say you drop your brand-new smartphone into a reservoir while posing for a selfie
during a picnic. Would you consider it lost and buy a replacement, or drain the reservoir
to retrieve it?

An Indian official who chose the latter option has been suspended from his job. He is also
facing the glare of the national news media in a drought-prone country where water is a
precious commodity.

Sameer Yasir is a reporter based in New Delhi. He joined These Times in 2020 Link >>

He was against them. Purposefully STARWHEEL

Sometimes flowers 🌺 do wonders
Sometimes fires 🔥 do burn
Sometimes shades 🖤 do protect
Sometimes earth 🌎
No matter what they say, you better listen.

Psychologist says:

  1. When a person sleeps for a long time, sometimes their sadness is deep. He thinks a lot. There's a lot of things bothering this person so he prefer to just put everything to sleep.
  2. When he eats a lot of food, sometimes, it means he is stressed. Sometimes it's a lot of fun. You can see the way he eats But in his eyes he is stressed, sad or happy. When he invites you to join him on a food trip, go with him.
  3. When he gets angry even for small things, it means he wants to be nurtured, give him attention, understand and he wants people to love him.
  4. When he laughs loudly, sometimes it means that he is deeply sad. He just passes the sadness with laughter.
    "Be observant of the people you talk to or socialize with. Always say hello to your loved ones."
    How about you?
    How are you?
He was against them. Purposefully STARWHEEL

In every little thing
If a thing = food 🥑
There needs to be at least
a bit of poison.
Poison is good 👍 for you.
At least.
G-d = F00D

#actsofdelicacies #actsofdisobedience #actsofdissidence #actsoftheblueface

TeSla Spark is feeling curious with Iskra Kosjenka Tesla at Teslopolis.

Tesla's Spark STARWHEEL

U W St
a što tebi, kao ženi, stvarno treba?

Reply
17h

TeSla Spark
U W St kao ženi muškarac

Tesla's Spark STARWHEEL
Reply
17h

U W St
TeSla Spark ma nekako. to zaista. ali tako se čini. ali što to, u stvari? dođi za beograd u narednih 2 satova?

Reply
17h

TeSla Spark
U W St vidiš eto to je to … neznam vozit auto, a ne vozi mi se s iblo kim, pa da dođem gdje želim za dva sata.

Tesla's Spark STARWHEEL
Reply
17hEdited

U W St
TeSla Spark i ja ti tako želim. svakako

Reply
17h

TeSla Spark
jer žena kad je jednostavna postane dosadna a kad je kompleksna onda je previše divna …

Tesla's Spark STARWHEEL
Reply
17h

U W St
TeSla Spark ovdje ne mogu više, da komentišem. ovo mogu samo, da ti kažem. na 4 očiju. a ti dobro znaš.

Reply
17h

TeSla Spark
U W St biti žena jendostavno znači biti prokleta … nekako kao Medeja.

Tesla's Spark STARWHEEL
Reply
17hEdited

U W St
TeSla Spark hmm. nemoj. molim te. nije potrebno.

Reply
17h

TeSla Spark
U W St nisam se ja uživila u
Medeju hahaha al sam još pod dojmom Pasolinijeve verzije koju sam jucer gledala …. svidila mi se ta realnost mita u njegovim slikama, to cvrčanje cvrčaka u Sirji, Turskoj, Grčkoj … sjetilo me na moju Dalmaciju u kojoj je zaista biti žena najveća prokletija, ali kod nas je to u nekoj mini verziji …. nekako Marina Abramović to dobro nosi.

Tesla's Spark STARWHEEL
Reply
17hEdited

U W St
TeSla Spark to mislim, da su sve krajine tvog neposrednog sebstva. pišeš, kao da je to poezija. ali jeste. mašta

Reply
17h

TeSla Spark
U W St živto je ….. poezija … trenutak … magija. Pa makar i po cijenu tog života, ako nestane magija i ljepota radovanja nepoznatim trenucima. ja ne želim više disati u močvari spoznatih dovršenih priča. ali tek moje želje one su nepotrebne … ne želim ni željeti nego jutrima se buditi i diviti svima.. See more

Tesla's Spark STARWHEEL
Reply
17hEdited

U W St
TeSla Spark ima određenih snova. i tvoje ruke ih znaju. u nekom smislu samo jedna je poezija neopisljiva. i samo neka jutra. to si vidjela, ali nije dosta? što tražiš?

Reply
16h

TeSla Spark
U W St uglavnom me nešto i nađe … valjda zato ako to nešto tražim … ali ja to ne znam. ja ništa ne znam, iako sve znam. … a ne znam ako ne trebam …

Tesla's Spark STARWHEEL
Reply
16hEdited

U W St
TeSla Spark oko disanja. nadam se. nadolazi neka sloboda. ako dišeš. ako ne. ima ritam. ali više ne mogu da kažem..

Reply
16h

U W St
TeSla Spark ne trebaš. to je fenomenalno. i više nego da ne trebaš.

Tesla's Spark STARWHEEL
Reply
16h

TeSla Spark
U W St u ovo doba dana najviše volim nepomično pustit kroz sebe vrenje ljetne vručine … disanje je nekako za noć …

Tesla's Spark STARWHEEL
Reply
16hEdited

U W St
TeSla Spark to je tvoje doba. i pusti. nek prolazi. ne beše več noč ali doči če. sama po sebi. svoja

U W St
TeSla Spark sletilo te ovo na onu dalmatiju u kojoj je zena ili bila to zena kao ono i ova, dalmatia? nevjerovatno, i isuzetno dopadaju mi se tvoje price. ali u kojem rasponu to je prokleto. jer preklete su price. ali dalmatiju jos volim.

U W St
jer auto je kretnina, i nije nekretnina samo zbog toga..

Tesla's Spark STARWHEEL

TeSla Spark
U W St nekad mi se cini da bi mi auto mogao biti nadomjestak za muškarca hahaha jbg. nije do mene. zato ga ne znam voziit vidiš kako je ta sudbina uvijek ispravna

Tesla's Spark STARWHEEL

U W St
TeSla Spark ma sudbuna je sami ljepa žena. ona ne može, da bude ispravna 🙂

Tesla's Spark STARWHEEL

U W St
tako je i žena, u nekom smislu, svugdje i odjednom. ali nije nekretnina u smislu kojem je kretnina i njezina mobilnost. ne znam ni onaj izraz. Ali svugdje je, i odjednom

Tesla's Spark STARWHEEL

Iskra Kosjenka Tesla
U W St dobro jutro … ✨✨

Tesla's Spark STARWHEEL

U W St
imagine. ovo jutro ❤

U W St
promasili smo se na 2 sata. svaki s 3 prosjeka. "Cuti, molim te 🙂"

Jutro {{extract}},

Tvojim uščem, tvojim usnama
snabdivali smo demona ..

Ovo jutro
odzvanjuju tinitusne pjesme
svatbeno i saosječajno u ponor
u kapljama našeg zlatnog znoja
između divnih grudiju tvojih
suncem zatvorenih očiju
šapučes mi sanjsko tjelo,
savijaš se, u svilenom krevetu
pored srca, kojim slušam
utrip odaljenih nočiju:
"Šuti sada. Ljubi me još jednom.
Ljubi me još jedan put."

Tvoje usne napukle od očekivanja.
"Vračaj se. Ne vračaj se.
Volim te. Ne volim te.
Ljubi me. Ne ljubi me."
Sudbino sakrivenih očiju.
Tvojim uščem, tvojim usnama
snabdivali smo demona.

Ona mi rekla, da su ko dva stubova.

#actsofmorningdew #actsofendlesssummer #actsofdisobedience

»Drevo naj se posebno v mestu nikdar ne poseka, razen če tega ne narekuje monumentalna zasnova. Cesta naj se po možnosti ogne stoječemu, zdravemu drevesu in stavbar naj ga upošteva in spoštuje. Drevo raste mnogo let – Bog ga da in zemlja njegova.«

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL
Jože Plečnik, perspektivna risba drugega načrta za regulacijo Južnega trga, Zgodovinski arhiv Ljubljana

Citat je Plečnikov, iz knjige njegovega učenca Marjana Mušiča (1986), in tudi drugi viri pričajo o njegovi izbrani pozornosti do rastlinskega sveta. A Plečnik se je kot arhitekt dobro zavedal, da ni gradnje brez žrtev, in kot vsakdo, ki gradi z jasno vizijo in v velikem merilu, se za časa življenja ni mogel izogniti burnim polemikam. Znano je, da mu mnenje javnosti, medijev, aktivistov in vplivnih oseb ne glede na vsesplošno priznani talent ni prizanašalo.

Med bolj ali manj znane epizode Plečnikove Ljubljane sodi njegova bitka s kostanji – oziroma z javnostjo. Konec 20. let prejšnjega stoletja je Plečnik pripravil načrt preureditve Kongresnega trga in parka Zvezda ob njem. Pri slednjem se je poleg geometrijske korekcije zvezdaste strukture poti, ki je parku ob njegovem nastanku leta 1824 dala ime, odločil za (dobesedno) korenit poseg: vse kostanje, ki naj bi bili že v precej slabem stanju, se je odločil zamenjati s platanami. Te so bile po njegovi presoji za urbani prostor tudi precej bolj primerne od kostanjev, ki ustvarjajo »vlažen« ambient (kot se v svoji knjigi Plečnik in njegova šola večkrat izrazi njegov učenec Dušan Grabrijan) in okolico mažejo s pomladanskimi mlečki iz cvetov in jesenskimi plodovi. Platane po drugi strani z visokimi krošnjami in debli, ki spominjajo na stebre, tvorijo bolj zračen in svetlejši prostor.

Ko je Plečnikova namera prišla v javnost, je sprožila vihar nasprotovanja. Meščani so bili na drevesa, ki so leta 1860 zamenjala prvotne akacije, in na senco, ki so jo nudili med poletno vročino, močno navezani in so se arhitektovi ideji uprli. Upor je bil sprva uspešen: padlo je zgolj toliko dreves, kolikor je bilo nujno potrebno v okviru oženja in sprememb tras parkovnih poti, pa še to šele leta 1935. Toda arhitektura in urejanje prostora sta tek na dolge proge in v spremenjeni družbeni klimi so leta 1940, ko je projekt po Plečnikovih zamislih že vodil učenec Boris Kobe, padli še preostali kostanji, ki so jih v skladu s prvotno zamislijo nadomestile platane. Glas ljudstva mu tudi tokrat ni prizanesel in je poseko sredi mesta pomenljivo označil za »Saharo«. A posek je imel tudi jasno solidarnostno noto: pri delih so sodelovali brezposelni, les pa so razdelili revežem, oboje v okviru Odbora za zimsko pomoč.

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL
Razglednica ob inavguraciji spomenika kralju Aleksandru I. leta 1940, vidni so kostanji tik pred posekom (vir: stareslike.cerknica.org)

Situacija je bila podobna tudi v parku Tivoli, ki ga je Plečnik preurejal od leta 1929 naprej. Pri urejanju promenade, ki je danes pod imenom Jakopičevo sprehajališče neločljiv del mestne identitete, je leta 1933 dal posekati vse okoli sto let stare kostanje na liniji med Cankarjevo cesto in gradom Tivoli in s tem znova požel obilico negodovanja javnosti.

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL
Oveli kostanji v parku Zvezda, 1918

A kmalu so prišle v ospredje drugačne skrbi. Že manj kot leto po padcu kostanjev v parku Zvezda je padla tudi kraljevina Jugoslavija in nedolgo zatem spomenik kralja Aleksandra I. (kipar Lojze Dolinar, arhitekt Herman Hus), ki so ga postavili le malo pred posekom jeseni 1940. V udarcih in padcih, ki so se vrstili v naslednjih letih, se je življenje človeka pogosto zdelo vredno manj od mestnega drevesa v mirnem času. Osončena zelenica ob Kongresnem trgu se je v vojnem pomanjkanju za nekaj let spremenila v mestno njivo, kjer so pridelovali krompir in sojo.

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL
Male platane v parku Zvezda na razglednici iz časa po 2. svetovni vojni

Kongresnemu trgu je oblast po vojni in revoluciji kot osrednjemu javnemu prostoru nadela ime Trg revolucije in kasneje Trg osvoboditve (znova je postal Kongresni po osamosvojitvi). Po načrtih največjega od Plečnikovih učencev, Edvarda Ravnikarja, je bil namreč zgrajen nov Trg revolucije: za to je bilo treba sicer najprej izbrisati obsežno zeleno površino nekdaj največjega ljubljanskega vrta. »Nunski vrt« je tu stal od 17. stoletja sprva kot last grofov Turjaških, kasneje pa del uršulinskega samostana. Čeprav ni šlo za javni park, je pomembno sooblikoval podobo mesta tudi kot »Cicibanov gaj« – vrtec na prostem, kjer so meščani puščali otroke v varstvu uršulinskih sester. Po odločitvi, da se tu izoblikuje novo monumentalno mestno jedro – ni znano, da bi prihajalo do protestov meščanstva (to je bilo konec koncev odpravljeno), – so vrt izpraznili in izvedli obsežna arheološka izkopavanja, preden se je začela gradnja modernega središča socialistične republike.

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL

Danes si tako velikopotezno plemenitenje mestnega zelenja ali modernistični izbris celotnih zelenih površin v središču mesta težko zamislimo. Napredek danes vsaj na načelni ravni pojmujemo drugače in sodobnost zaznamujejo novi izzivi, v veliki meri povezani s krizo, ki jo je povzročil naš odnos do okolja.

»Arhitektura nam /…/ ureja življenjski prostor; materija pa, katero porablja in oblikuje, je naravno dani neskončni prostor, v katerem se je ob prvem rojstvu prvi človek zbudil življenjskim ugankam v naročje.« S temi poetičnimi besedami dr. France Stele opiše prostorsko dvojnost in razpetost arhitekture med naravo in grajenim v Architecturi perennis, ki sta jo s Plečnikom izdala leta 1941. Časi so se vsekakor spremenili, a jedro discipline ostaja isto: arhitektura se vsakič znova znajde pred dilemo, kaj podreti, kje postaviti zid in kje ne narediti nič, da bi omogočili boljše sobivanje. Spoštovanje obstoječega, narave in grajenega, ustvarjalna vizija in družbena odgovornost pri tem ostajajo ključnega pomena.

Napisal: Luka Jerman | OUTSAjDER

Arhetipi in kolektivno nezavedno: Drevo naj se nikdar ne poseka STARWHEEL

Recenzija knjige: Arhetipi in kolektivno nezavedno

Carl Jung To je bilo moje prvo pravo branje Junga. Prebral sem Sodobni človek v iskanju duše, vendar se mi je zdel zelo površen uvod. Po drugi strani pa je ta knjiga globok potop v Jungovo misel.

Veliko se vidim v Jungu - zlasti v kombinaciji skrajne zaprtosti vase in odprtosti. Mislim, da je ta osebnost v veliki meri tista, ki vodi do te posebne poti neskončnega potovanja v človekovo zavest, ki neizogibno vodi do razumevanja psihe na splošno.

Vendar je poleg Jungovega značaja in poti, ki jo je vodil, najbolj presenetljivo to, kako neverjetno razgledan in pameten je. Bral je latinščino in grščino ter poznal obsežno literaturo starih ezoteričnih knjig, ki za večino sodobnih ljudi zaradi svoje slabe znanstvene podlage nimajo nobene vrednosti. Jung morda ni bil prvi, a zelo verjetno najboljši pri konceptualizaciji pomena za področji, kot sta astrologija in alkimija. Njegovo znanje o primerjalni mitologiji, primerjalnem verstvu in klasični literaturi je bilo tudi ogromno. Resnično intelektualni velikan, ki ga dandanes skorajda ni več. Zdi se, kot da je bil teleportiran iz renesanse in nadaljuje izgubljeno tradicijo polimatije.

Jungova misel je zelo zapletena, vendar jo je razmeroma enostavno povzeti, če jo slikamo s širokim čopičem. V bistvu je spoznal, da se določeni vzorci pojavljajo tako skozi kulture kot spontano s strani posameznikov (v veliki meri iz njegove klinične prakse). Nato so primerjali te vzorce in postavili hipotezo o njihovem pomenu. Vedno so simbolični in večinoma jih je kategoriziral na psihoanalitični način - boj med zavestnim in nezavednim, z neskončnimi različicami, razvejanostjo in simboliko.

Kolektivno nezavedno je apriorna struktura psihe, njene globoke in skrite plasti, ki izhajajo iz tisočletnega skupnega izkustva vseh ljudi. Ta plast je simbolična in prihaja iz časa, ko je bila zavest prepletena s fantazijo, dolgo pred jezikom in morda dolgo samozavedanjem. Kot je rekel Jung, je "človek razmišljal, preden je ugotovil, da razmišlja." Arhetipi so preprosto arhitektura kolektivnega nezavednega. V tej knjigi se osredotoča na animo, mater, senco, ponovno rojstvo, duha in arhetip prevaranta. Veliko se dotika tudi procesa individuacije — integracije nezavednega v zavest, in ga povezuje s simboliko mandal.

Branje Junga je na nek način zelo bizarna izkušnja. Obstajajo 3 kategorije branja, ki se ponavljajo skozi njegovo pisanje: Čisto strahospoštovanje do njegovega genija in njegovega vpogleda; popolna zmeda, saj ne ve, o čem za vraga govori; in zmedenost nad tem, kar se zdi apofenične blodnje. Na srečo je prvi vreden drugih dveh.

Zmeda je verjetno zato, ker Jung nikoli ni pisal za splošno občinstvo, temveč za svoje poklicne sodobnike, številne teme pa so zapletene in medsebojno povezane ter zahtevajo širše osnovno znanje.

Glede tega, kar se zdi čiste zablode in pristranskost potrditve, bi lahko bilo dejstvo, da res drži, in včasih se je preprosto izgubil v lastnem teoretiziranju. Čeprav je Jung neverjetno pameten in načitan, je kljub temu človek in nagnjen k napakam kot vsi ostali. Vendar poskušam vedno ostati odprtega duha. Mnoge stvari, ki sem jih uvrščal v to kategorijo, ko sem začel spoznavati Junga, so se kasneje izkazale za povsem razumne, kar je ponižujoče. Čeprav se zdi, da je nekatere Jungove trditve težko sprejeti, niso narejene brezglavo. Mnogi temeljijo na desetletjih izkušenj, preden je bil o njih prepričan. Vedno se je globoko zavedal, da lahko napačno sklepa, si izmišlja lažne vzorce in nezavedno sugerira svojim pacientom.

Zdi se smešno, a Jung se je neštetokrat oklical za empirika. Čeprav očitno ne izvaja znanstvenih poskusov, uporablja temeljna načela znanstvenega raziskovanja po svojih najboljših močeh, glede na temo, s katero se ukvarja. Čeprav obstaja veliko trditev, ki se zdijo bizarne, jih nikoli ne zavržem takoj.

To je vsekakor gosta knjiga, polna je stvari, ki jih človek ne more zlahka dojeti, in drugih, ki se zdijo navadne neumnosti. Vendar pa ima enako neizrekljivo vrednost v človeškem stanju in globoki strukturi mišljenja. Če ste že kdaj naleteli na Jungove koncepte in zamisli in so vas pritegnile, bo ta knjiga zagotovo dragocena in z veseljem boste, da ste jo prebrali.

U pravi čas sam došla na ovaj posao jer sam prolazila, to znam, kroz baš težak period koji i dalje traje. {{xxxtract}}

To bilo jedno obustavljenje, u popodne, ali bio je ljep dan, iako meni uopšte nije bilo lako. Ali na avtobusu, barem za neke par sekundi, zaista sam voljela taj razgovor koji vodili smo s potpunim strancem. I puno te je on zapitkivao, i vamo-tamo odjedjom osječala sam se sretnom. U bilo kojem smislu. I nisam onda znala ni kako, da se okrenem, ali da mu kažem, "Hvala. I nasviđenje". Onda nisam ga više vidjela.

Od zadnjih cetiri dana moze mnoge, da boli glava. Festival piva ili Beerfest Beograd odgodjen bio za jedan dan, i tako poceo od 17 Juna i zavrsava danas, 20og. Od ovih cetiri snabdili smo prvi i treci dan i zaista provjeli smo se dobro. Pocetak i zakljucak. Pili borovnicevo pivo. I nikad nisam ni znao, da su to Partibrejkeri bili tako snazni. Mozda bio sam suvise pijan, i mlad 🙂 Ajde kreni, kreni ..
* Perform at least one act of social disobedience with every single day. Ask a fully equipped police force guardian to light you that little cigarette. It'll drive all your trouble away.

U mom mislima on odlutao je negdje s kraja puta ovog autobusa #83 koji vozi do crvenog križa. I neki kelner priporučio mu je telečinu za ručak. Onu telečinu, koja se peče vrlo dugo. I jednu porciju srbske salate. Ne šobske. I ne preveliko sve. Baš taman. On bio je baš taman.

U glavnom najviše me opušta šetanje i čitanje dnevnog časopisa. Još sam žalostna, ali ne više toliko kao prije. Možda u novinama jednom zasledim neku saobračajnu nezgodu u kojoj bitče on. Možda se sretnemo opet. Ovo malo me pali. Ali ne jako puno. Ionako: "Šuti sad. Poljubi me. Kreni prema meni."

ZAGOVOR ZOPER SUŠICO IZ LIBUČ PRI PLIBERKU
Kost stopi h kosti,
sklep k sklepu,
kita stopi h kiti,
žila stopi k žili,
mesto stopi k mesu,
mozeg stopi k mozgu,
kri stopi h krvi,
voda stopi k vodi,
koža stopi h koži,
moč pa k moči!

TAMAN #83 STARWHEEL
Ne postoji ni bilo koji drugi križ nego ovaj, na dole. Gledaj dole!
TAMAN #83 STARWHEEL

Iv Črn: Bog je tudi jedec.

Ur W St: In nekam zredil se je. Sladkarije pa to 🍬 Za torto bo še plac.

Iv Črn: Ur W St Menda se kozmos širi. Pravijo.

Ur W St: Iv Črn ma to so razni dietni svetovalci s svojimi zamislimi in umetno inteligenco. ampak ni je boljse smetane od vse smetane kar je je vkljucno s tisto, ki je hipoteticno se vedno na razpolago .. lahko bi rekli, da je umetnost torte v neskoncju ..

Ovih posledjih dana razmišljam samo o tebi.

Na Usnama Tvojim Sanjao STARWHEEL

Kako sam ti dirao lice, i kako prislanjala si, usne tvoje, uz moje, i ljubila me zatvorenih očiju. Kao da jeli bi drug od drugoga davali smo smisao noči. I snovi su rasli i razplamtavali maštu sudbine.

Oh, kako smo voljeli snjeg. Jednom ili dva puta. Oboje. I u svim pravcima. I onda i sunce, i dolinu ovu, rijeku i ponor.

Na Usnama Tvojim Sanjao STARWHEEL

Sva bila si ovdje.

Sva si bila. I nisi željela ni da vidiš što drugo nego razplamnjenu krv na usnama tvojim i plakanje, dugo, i kao skroz noč. I meni se činilo, da me voliš. A ti si se smijala.

Kaksna lepa presenecenja si mi pustil doma. Hvala. Sem se kar zjokala od ganjenosti.❤️

I bilo mi tako lako. Iako si patila. U mojim rukama. I ja u tvojim. Bez opstanka. Baš lako nam bilo. I ostalo nije ništa of nas. Samo zagrljaj. I sjenke od mašovitih okretanja. I oarče planeta. "Šuti sada. Volim te"

Quiet now. Kiss me.

{{sketch}} The last call is really by the very end. Or just before it.

Na Usnama Tvojim Sanjao STARWHEEL

"Quiet now. Kiss me", she says. Twice. Then no more.

They brought him home then. In pieces. Finely chopped. Finely sliced. Someone picked up a few. It might have been his mother. She was crying. But not for a whole day. It's been too cold. She knew.